Michael jackson bad album 25th anniversary

Michael jackson bad album 25th anniversary free#

In the three years since the world bid a reluctant farewell to the King Of Pop, what was once a never-ending preoccupation with the more peculiar aspects of his personal life has all but receded into the background, allowing what fans love and cherish the most-his gentleness, generosity, and gift of music- to finally remain at center stage. Yes, the visual quality is that of a brand new VHS tape (thatвЂ™s what he used to record the performances and review to tighten up his technique), but itвЂ™s still well-shot and demonstrates his virtuosity as a vocalist, dancer and all-encompassing, untouchable entertainer. вЂњAl CaponeвЂќ (the early incarnation of вЂњSmooth CriminalвЂќ) and вЂњStreetwalkerвЂќ are fun, but MichaelвЂ™s choice in avoiding numbers that couldвЂ™ve been interpreted as tributes to bootleggers and prostitutes was ultimately more wise.ДЄside from the music, the collectionвЂ™s best asset is the homage it pays to Michael JacksonвЂ™s first-ever solo tour: thereвЂ™s a lavishly-photographed and detailed booklet (which contains the tour dates, photos from his performances and a scaled-down reproduction of its tour program), a poster and, best of all, a DVD capturing the London launch of his sold-out stint in LondonвЂ™s Wembley Stadium. Of the more fast-paced material, the remixes of вЂњBadвЂќ and вЂњSpeed DemonвЂќ fall between interesting and incidental, вЂњPrice of FameвЂќ (a sinister Billie-Jean-turned-stalker tale) couldвЂ™ve taken the place of BadвЂ™s weaker tracks and a couple of them are so hit and miss that they shouldвЂ™ve remained in the vault (вЂњDonвЂ™t Be MessinвЂ™ AroundвЂќ and вЂњSong Groove, AKA Abortion PapersвЂќ). вЂњFly Away,вЂќ has a jazzier percussive approach, a lush melody and intriguing alternation of his tenor and falsetto ranges, and вЂњIвЂ™m So BlueвЂќ mustвЂ™ve been recorded after studying The Book Of Stevie (maybe this was an early collaboration that was switched out for the harder grooving вЂњFriendsвЂќ instead).

Michael jackson bad album 25th anniversary free#

The CD of bonus material, songs that were crafted around the same time-frame but never made the final cut, actually offers some worthwhile listening: вЂњFreeвЂќ is a finger-snapping, whimsical mid-tempo that hearkens to Off The WallвЂ™s вЂњI CanвЂ™t Help It,вЂќ thanks to its irresistable chorus (вЂњFree, free like the wind though, to fly just like the sparrow/ the feel of letting my hair blow, to take my time wherever I goвЂќ) and a delivery so euphoric that MJ actually cracks up during the fade-out.

Those who purchased 2007вЂ™s 25th anniversary edition of Thriller and were disappointed with the bare-minimum extras that were offered (delightful packaging and mini-booklet, the gorgeously understated ballad вЂњFor All TimeвЂќ and unfortunately, remixes that were scarier than the zombies on its front cover) wonвЂ™t feel that way about BadвЂ™s upgrade: first off, the fully-remastered original eleven tracks are now devoid of the brassiness and over-abundance of treble, giving more lavish dimensions to вЂњMan In The Mirror,вЂќ вЂњJust Good FriendsвЂќ and вЂњThe Way You Make Me Feel.вЂќ The fact that Bad reinforced the entertainerвЂ™s reign as King of the 80s and kicked off his first-ever world-wide solo tour is whatвЂ™s celebrated in the new deluxe 25th anniversary re-release set. It was one thing for 1979вЂ™s Off The Wall to become the first solo album to produce four Top Ten singles and eventually sell 20 million copies worldwide, but to watch 1982вЂ™s Thriller rack up seven Top Ten singles, hover at Number One for 37 straight weeks on BillboardвЂ™s Top 200 chart and eventually eclipse any other release as the best-selling album of all time (present tallies are 110 million worldwide) was probably as exhilarating as it was anxiety-producing.ДЇinally, his third Epic/Sony project, Bad, hit store shelves and, although it wasnвЂ™t the runaway phenomenon that its predecessor had been, it was still a force to be reckoned with, earning five Number One singles on the Hot 100 Chart and selling 45 million units worldwide.

1987 had to be a daunting year for Michael Jackson: the good news was that one-man-musical machine was the hottest entertainer on the planet, reaping the rewards of an artistic gamble he had made eight years earlier when he hand-picked the iconic Quincy Jones to collaborate with him on his first post-Motown solo projects, Off The Wall and the follow-up, Thriller.